Curator, researcher, and producer | Bridging art, culture, & tech @avant_arte | @thecourtauld | culture as infrastructure

London, England
Joined June 2021
Thrilled to bring back Byte Dinners (@thebyteproject) w/ friends in London+SF! Where Art + Tech connect over meaningful conversation. If you're in tech, culture, or investment and crave art and philosophy discussions, DM or tag someone below This is how we build. (+ wine+fun)
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funny how you almost always HAVE to be a scientist by background to run a scientific r&d org whereas in the arts you can be an appreciator of art and never have practiced as an artist to run an art r&d org
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Give instructions the funds!!!
I鈥檝e been thinking a lot about what would give me the most purpose in life, and I think it鈥檚 making sure that art institutions continue to have the funds to host beautiful exhibitions of exquisite Etruscan sculpture
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As everyone runs towards institutions, I thinks it critical to consider what is even in the conversation and what do they support and serve
what makes a museum, a museum? museumofmuseums.org/ enjoy!
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I just wrote the worst essay of my life. 2000 words, but I wrote it. Does anyone else feel like they are needing to reteach themselves on how to write?
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I want a @A24 and Diego Macron collab
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(Abi)gail retweeted
I have very exciting news. Thanks to a generous gift from @patrickc, the Cr忙ft Prize is growing to 拢110,000. My March open call for artisan-innovators fusing the wisdom of craft with cutting-edge technology sparked a flood of excellent submissions. In early 2027, we will host an awards ceremony, exhibition, and conference exploring how craft can breathe soul and beauty into the machine. Read all about it 馃憞
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Very grateful to see this project by @frogspitsimulat come to life and this question from @proofofgail - feels more prescient than ever and what is written in this article by Nick is almost foretold by explorations that Nakamura has done along with many other researchers
interpretability might be the most important scientific problem in the world right now, as I don't think we can solve alignment if we don't know what we're building. I think I have good news about it. I co-authored early work in mechanistic interpretability at OpenAI and came away pessimistic, because neural networks appeared to fold into arbitrary tangled knots. years later, I started openai's first large-scale automated interpretability project, finding about 2% of neurons legible with the primitive tools we had with modern agentic tools and a much closer look, the picture looks totally different. the vast majority in models up to trillions of parameters are legible, and their circuits beautiful. many famous examples of tangled neurons turned out to be misunderstood. The roadblocks I expected mostly aren't there. I now think ambitious interpretability will be solved by the time we need it most, and possibly quite soon, as automated scientists keep improving. it may be a bitter lesson for interpretability: the simple thing, at absurd scale, works already-clean.goodfire.com/
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Does everyone understand how amazing this is?
Frequencies - our interview with Oscar Murillo
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People forget that SF use to be incredible and influential in the arts. Pioneering curator Jermayne MacAgy gave Mark Rothko, Jackson Pollack and Clyfford Still some of their first serious career exhibitions
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Mega congrats to ALL artists being shown in the wonderful exhibit at the @V_and_A ! 馃挄
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This week: The art world: here is a congregation of the best emerging voices and experiments in creativity and aesthetics. Everyone is questioning, probing and playing with emerging technology Tech world: why can鈥檛 we figure out taste
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(Abi)gail retweeted
馃拰 Just married鉂o笍 馃拲 The Wedding: OONA & David 馃挃 Til the cameras do us part
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The exhibit runs until May 2027, and highlights the work of Vera Moln谩r alongside several contemporary artists. Pictured below, works by @REAS @williamapan @zachlieberman @Licia_He, alongside Vera鈥檚.
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Just spotting on social media but my work is up now at the V&A at a show about Vera Molnar. I teach her work every year and it鈥檚 the first lecture I give since it opens students minds to generative art. I鈥檓 beyond honored
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Meridian #870 is currently on display at the Victoria & Albert Museum in London as part of their new show, Degrees of Disruption: Vera Molnar and Generative Art. 馃馃帀
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Every artist who has ever sat behind a screen wondering if their pixels, code, or digital canvasses held the same weight as paint and stone鈥攖his is the answer. This moment isn鈥檛 just a personal triumph for the late @vera_molnar_official ; it鈥檚 a seismic shift. Congrats @V_and_A
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(Abi)gail retweeted
meet us at the intersection of art tech and souvlaki 馃挆 @proofofgail @jokawaharalino @o009h @sofiagarcia_io @aval0vara
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Thames Barrier, 2025 @annaridler
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Frieze week quote: so I was dating a lesbian Marxist
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