Assistant Professor of Film Studies, postmodern feminist theorist, horror addict, Shirley Jackson landmark stalker, seeker of the Trystero
Joined July 2018
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Emily Naser-Hall retweeted
You know it's there, but you can't play it!
For MTC, Emily Naser-Hall revisits the VHS tape and its haunting resurgence in the present. A perfect, perfectly haunted piece of cultural criticism to start off your spooky season 📼
mid-theory.com/2025/09/04/co…
Emily Naser-Hall retweeted
Check out this incredibly interesting essay by @emilynaserhall on Cristóbal León and Joaquin Cociña’s The Wolf House (2018), a stunning & weird film about violence and postcolonialism
horrorhomeroom.com/what-is-y…
Always love working with @DawnKeetley and @horrorhomeroom, and this opportunity to explore maybe the most disturbing film ever was no different
horrorhomeroom.com/what-is-y…
Emily Naser-Hall retweeted
"Back in your gilded cage, Melanie Daniels." The latest @JCMSJournal has essays from @emilynaserhall on womens' bodily autonomy in law, THE BIRDS, and NIGHT OF THE LIVING DEAD + Jerome Dent on GET OUT, psychoanalysis, and critical race theory. @ProjectMuse
muse.jhu.edu/issue/52546
ALT On the left, the cover of Journal of Cinema and Media Studies vol. 63 no.3, with the chapters written in plain text, white background on the top, light blue on the bottom.
ALT On the right, a still from the film THE BIRDS in which lead character Melanie Daniels (played by Tippi Hedren), wearing a black suit and a slight bouffant hairdo in platinum blonde, stands in a pet store among birdcages, thinking in a mischievous way and bringing a pencil to her chin.
Emily Naser-Hall retweeted
Spring is here! 💐☀️ As flowers bloom and days get brighter, JCMS brings a brand new issue with a fresh batch of articles! JCMS 63.3 delivers a wide variety of research articles and open-access content. Read them here quod.lib.umich.edu/j/jcms/is….
Emily Naser-Hall retweeted
Feminist force comes out strong on #InternationalWomensDay w/ publication of my @NRFTSJournal guest edited special issue Feminist Film/Media Now feat. 3 #OpenAccess articles & my free access farewell tandfonline.com/toc/rfts20/c… @emilynaserhall @wingfai_leung @DrDent84 @filmstudiesff
Emily Naser-Hall retweeted
Good thing it's a #LeapYear - more time to read @NRFTSJournal "Feminist Film/Media Now" Spec. Issue out now! tandfonline.com/toc/rfts20/c…
Feat. 3 #OpenAccess articles!
@emilynaserhall @wingfai_leung @DrDent84 @filmstudiesff @SCMSfeminisms @ConsolePassions @meccsawmsn @ICA_FSD @WFTHN
Emily Naser-Hall retweeted
I am so excited to share Volume 1, Issue 2 of Shirley Jackson Studies: Visualizing Jackson! This issue features articles by @KellySuprenant, @emilynaserhall, @HauntedKevin, and Tyler M. Dick, as well as a review by Lisa Kröger.
Check it out here: shirleyjacksonstudies.org/?p…
Emily Naser-Hall retweeted
The Haunting of Hill House secured Shirley Jackson’s place as an icon of gothic horror
From the new @Ariz_Quarterly, Emily Naser-Hall studies Jackson’s use of gothic conventions to illuminate the quotidian horrors of women in the American midcentury
ow.ly/EPfq50Q2bVB
ALT Promotional tile featuring the text-based cover art for Arizona Quarterly 79.3 surrounded by the text: Locked Doors and Fondled Doorknobs: Gothic Domesticity and Deviant Sexuality of 1950s America in Shirley Jackson's The Haunting of Hill House Limited Time Open Access Through 10 November
ALT Screen shot of the first page of the Arizona Quarterly article by Emily Naser-Hall, Locked Doors and Fondled Doorknobs: Gothic Domesticity and Deviant Sexuality of 1950s America in Shirley Jackson's The Haunting of Hill House
Emily Naser-Hall retweeted
Today! @emilynaserhall digs into our relationship with the past as represented in 'Landlocked.'
"This lean debut speaks to a kind of technological singularity, a phenomenon never to be replicated: the fascination with preserving life ... on celluloid."
certifiedforgotten.com/landl…
Emily Naser-Hall retweeted
On my last official day as @NRFTSJournal Ed-in-Chief, I'm thrilled to announce my forthcoming guest ed. spec. issue Feminist Film/Media Now coming Spring '24-here's what's in store! nrftsjournal.org/special-iss… @Emerson_ORCS @SCMSfeminisms @ConsolePassions @meccsawmsn @ICA_FSD @WFTHN
Emily Naser-Hall retweeted
From the incisive works of bell hooks to the narratives of Wendell Berry and Hunter S. Thompson, Kentucky is steeped in literary history. Check out some amazing lit mags in Kentucky below!
Read more: mastersreview.com/litmag-roa…
Emily Naser-Hall retweeted
#WomensHistoryMonth blog reads! @emilynaserhall (@universityofky) on I LOVE LUCY nrftsjournal.org/cinderella-… + @femaleaudience (@UCLALibrary) & @aliciakoz (@IUcinema) on new @upmiss Stephanie Rothman book! nrftsjournal.org/cinema-of-s…
@IUNewsroom @scmswomen @ConsolePassions @meccsawmsn
Closing out #WomensHistoryMonth w/ another shout-out to our ⚢'s Film & Media History Reading List nrftsjournal.org/womens-film…
#WomensHistoryMonth2023 @scmswomen @WFPProject @WFTHN @ConsolePassions @meccsawmsn @FemFilmHeritage #womenshistory @tandfonline #womeninfilm @NastySilents
Thrilled to announce that I will be joining the @WCUEnglish faculty as an Assistant Professor of Film and Media Studies in August! I am forever grateful to the many people who made all of this possible, especially the most incredible cohort I could have ever hoped for
So excited to share that my Short Cuts piece "Cinderella on the Homestead: Labor Nostalgia in I Love Lucy" is now live on
@NRFTSJournal It was such fun working on this tie-in piece to my forthcoming article on affective labor in midcentury sitcoms
nrftsjournal.org/cinderella-…
Emily Naser-Hall retweeted
Just in time for Thanksgiving, our blog presents “This Land is Your Land: Indigenous Horror,” feat. voices of scholars around the globe on the colonizers, colonized, & survivors of horror history. @SimmonsKali @naterobbud @DarrylCaterine @GeoffreyCocks
horrorlex.com/blog/this-land…
Loved getting to work with the editors at Confluence to create this commentary about a hauntingly beautiful little film
confluence-aglsp.org/xxviii2…
