SeeThrough (@iblastoff) header
SeeThrough (@iblastoff) profile picture

Generative systems, film + painting. New works - https://teapaw.org/t.co/33UY1gonrE

France
Joined March 2008
Photo by SeeThrough (@iblastoff)Photo by SeeThrough (@iblastoff)Photo by SeeThrough (@iblastoff)Photo by SeeThrough (@iblastoff)Photo by SeeThrough (@iblastoff)Photo by SeeThrough (@iblastoff)Photo by SeeThrough (@iblastoff)Photo by SeeThrough (@iblastoff)Photo by SeeThrough (@iblastoff)Photo by SeeThrough (@iblastoff)
Don't let anyone tell you can't ever dream big. Times Square. @ArtInnovationG
{ I_KNOW_YOU :: TIMES_SQUARE :: 00:00:08 } { logline: "a father's visual journal → his daughter" } { thread : "the walking daughter" } @ArtInnovationG — thank you. [soon] transmit("chapter_01");
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les gars jai fini mgs 1 je suis CHOQUE de ce que je viens de vivre le jeu est exceptionnel
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🌊💙 WE WERE ALWAYS BLUE
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🫶🎨🌈💻🌐🖌️
The Daily Program presents → “ai_selfie” by @twt_cha 🗓️ Launching on Tuesday, November 10, 1:00 PM ET 🔗daily.xyz/exhibition/cha-ai-… What does an algorithm see when asked to portray itself through the lens of human and art history? Grounded in the single prompt “artificial intelligence,” ai_selfie brings together two subseries, ai_selfie-metfaces and ai_selfie-wikiart, launching together as one collection of synthetic self-portraits. ↓ This is everything you need to know about the collection
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𝗧𝗛𝗘𝗥𝗘 𝗔𝗥𝗘 𝗪𝗢𝗥𝗦𝗘 𝗧𝗛𝗜𝗡𝗚𝗦 𝗧𝗢 𝗧𝗥𝗨𝗦𝗧 𝗧𝗛𝗔𝗡 𝗔 𝗗𝗢𝗖𝗧𝗢𝗥 by 𝗦𝗲𝗲𝘁𝗵𝗿𝗼𝘂𝗴𝗵 | @iblastoff 𝗔𝗥𝗧 𝗠𝗔𝗥𝗞𝗘𝗧 Minted October 5, 2025
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Lithobius Cauda Collected by → @iblastoff
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Lithobius Cauda is on the loose over my @dailydotxyz page. @rybinfx @fellowshiptrust Such a great concept and execution! Congrats on the sell out
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Launching today in collaboration with @opensea: → “Crawlers” by @rybinfx 🔗 opensea.io/collection/crawle… Crawlers are kinetic, interactive NFTs with feedback loops. The project introduces a simple generative system, a stripped-down LLM predictor, that reads and writes new content live as the Crawler explores its "wikipage-cave," offering viewers an opportunity to experience machine learning at its core. This is Slava's genesis project, and we are honored to host it. ⏱️ Mint schedule: → Community mint (allowlist): 12:40 PM ET. Free | LIMIT 1 PER WALLET → Project mint (allowlist): 12:54 PM ET. Free | LIMIT 50 PER WALLET → Public mint: 12:59 PM ET, ending Sunday, November 1 at 13:03 PM ET. | LIMIT 5 PER WALLET | Public mint price: 0.02 ETH ↓ This is everything you need to know about the collection
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gm! “Crawlers” by @rybinfx Launching tomorrow in collaboration with @opensea
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“in detail, obsessively…” Room 89 owned by @iblastoff
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In loving memory
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Lagrange Bend #27
Lagrange Bend is public now & the experience is live ⬇️
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Artists working with and through AI are warmly invited to share one work for Number 4 of The AI Art Magazine. There is no set theme and no submission fee. Long before the magazine goes to print, there is already much to appreciate in the works being shared. To celebrate each submission, an abstract graphic form takes a seat at a table on the magazine’s website. As new works arrive, the arrangement shifts, bringing works into one another’s company. This growing gathering is called Common Tables. Every submission has a place here, independently of the jury’s selection for print. We would love to see your work take a seat. 28 September to 1 November 2026. Details and submissions through the link in bio. #no4 #opencall #theaiartmagazine
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𝗕𝗹𝗮𝗰𝗸 𝗕𝗮𝘀𝗶𝗻 𝗥𝗲𝗮𝗱𝘀 𝘁𝗵𝗲 𝗦𝗸𝘆 #011 from the Witness Marks Period Two hooded witnesses stand at a threshold that cannot be crossed twice the same way. Whatever transformation the cauldron between them holds, it will happen once, and this scene is the only proof it happened at all. The vertical shaft of blue-white particles falling from a star-thick sky reads like a wound in time itself, a channel through which something passes down into the material world and leaves its mark on the way through. This is what interests me now: not the ritual's meaning, but its residue. The yellow-green specks scattered like bioluminescent moss across the ground, the countless stippled dots that give the trees their hatched, breathing texture — these are not decorations. They are the accumulated evidence of ten thousand small events, each one too small to matter alone, all of them together forming the only record that this place was ever touched by light. A footprint pattern with no single footfall in it. A patina map with no single moment of exposure. This image began in February 2025 as one of my P5.Botto generative sketches, a piece of code voted into the top tier by the community at p5.botto.com/635. What you see here is not that sketch — it is a P5REMIX, a second and separate act of creation where I took that geometric output as seed material and grew something unrecognizable from it. The garden, the figures, the falling light: none of it was foretold by the code. It was discovered afterward, the way witness marks are always discovered afterward — evidence that the process happened, offered without the process's permission.
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content unaware
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dear frens! I have spent ~2 years and spent over billions of tokens to build my artist website and now I'm open sourcing it. A self-hosted catalogue raisonné for artists who work on-chain. One install. Your data. Your server. Optional wallet sign-in, collectors, shop and 10+ cool features probably you wouldn't need 😅 Clone it, run it, make it yours: Case Study orkhan.design/work/raisonne Code github.com/orkhan-art-web/ra… I will continue to build and share updates, ask your coding agent to help you, or me.
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GM "𝑎 𝑑𝑎𝑛𝑑𝑒𝑙.. 𝑎 𝑠𝑖𝑛𝑔𝑙𝑒 𝑓𝑙𝑜𝑤𝑒𝑟 𝑖𝑛 𝑡ℎ𝑒 𝑚𝑖𝑑𝑑𝑙𝑒."
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GM '𝑎 𝑝𝑙𝑎𝑐𝑒 𝑏𝑒𝑦𝑜𝑛𝑑 𝑡ℎ𝑒...'
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