joel retweeted
Trump: "We were losing on average to death 3 people a week. And now we don't have that."
joel retweeted
Greg Abbott wants four more years to fix things in Texas.
He's already had eleven years.
Vote that asshole out.
joel retweeted
Quick reminder: Gold melts at around 2000 degrees. Washington DC did not experience that kind of heat wave. So… whatever Trump approved for those statues was not gold. Another multimillion dollar grift/money laundering scheme while Americans suffer.
Readers added context they thought people might want to know
The statues were coated in real 23.75-karat gold leaf per the NPS contract. Visible streaks are not melting (gold melts at ~1947°F) but consistent with adhesive/sealer failure common in outdoor gilding.
snopes.com/fact-check/tru…
en.wikipedia.org/wiki/The_Arts_…
webelements.com/gold/thermoche…
eytzinger.com/gilders-techni…
joel retweeted
Patrick Stewart on Trump (2017): “You might say to me, well, you’re not an American, what has it got to do with you? The fact is when America sneezes, the world catches a cold. America I think is on the edge of a very bad flu infection and it’s because of the man who’s in the White House”
joel retweeted
Trump's $5 million gold refurbishing is now melting off the horse statues in Washington, D.C.
joel retweeted
I spent much of the ’70s floundering career-wise. I recorded some terrific singles for Private Stock Records, When label head Larry Uttal signed me, I had high hopes for what we could accomplish together, but my recordings never received the promotion and support I felt they deserved.
I reunited with Lee Hazlewood in 1978, recording an album’s worth of material. Unfortunately, without the support of a record label, the project never materialized. I was disappointed, but I was getting older and I was more focused on my family at that point, so it didn’t bother me as much.
In 1980, I signed with Elektra Records, releasing one single, “Let’s Keep It That Way,” b/w “One Jump Ahead of the Storm,” and recording countless demos with Billy Strange as I tried to find something people would like. We recorded in a dingy little house studio in the Valley that the label owned. I can still see my kids running around that filthy place!
Then, in 1981, Jimmy Bowen, who was then vice president of Elektra/Asylum Nashville, came to the rescue again, putting Mel Tillis and me together. Jimmy knew what he was doing because the chemistry between us was immediate and electric. We had a fabulous time recording our album.
Mel & Nancy was released 45 years ago this week! It’s one of the best records I’ve ever made, and a fan favorite. I hope someday it will be available again for everyone to hear. It’s an album I’m incredibly proud of, and I’d love for it to have a second life. Mel and I had something special, and that music deserves to be heard.






















