director ✺ photographer ✺ brand creative director

los angeles
Joined September 2008
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bringing this β€œ0_o” back. it displays such a specific emotion no modern day emoji could ever evoke
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ashing my nature valley bar out the window like a cigarette
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i miss regulations
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I can’t believe I’m seeing people say practical magic (1998) is a bad movie
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see how much happier everyone is when we have monday off? much to consider
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How the cold rainy day in LA feels after two weeks of heat waves:
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moved to la bc I wanted to make movies, moving back to nyc bc I want to make movies
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there's a weird kind of grief that comes with late august and i cant explain it
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from the diary of virginia woolf
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As a proud Union member I couldn’t agree with this more. I’m on the SAG-AFTRA low budget committee because I’ve been on both sides many times and it’s always frustrated me so much how difficult they make it to shoot an indie feature. IATSE and DGA are even more difficult, so much so most low budget films don’t even go through them. It’s crazy. Combine that with tax incentives, ease of shootings, etc, We gotta do something if we want more original films to shoot in the US, let alone LA.
"Mud" and "Loving" director Jeff Nichols says shooting indie movies in America is "nearly impossible." He shot his next movie, "King Snake," in Arkansas "out of necessity." "It’s devastating. Studios negotiate contracts with these guilds and unions, and I suppose when they make agreements that they don’t ultimately want to pay for the results if they take production elsewhere. I’ve been in Georgia, and from what I’ve heard it’s been a pretty devastating blow with Disney taking everything to London; the work there has been challenging since this last round of strikes and everything else. The thing is, American independent filmmakers do have to abide by those contracts β€” and they weren’t built for us. We really need to look, as an industry, at independent film production β€” what it provides, what it costs β€” and we need more flexibility in those contracts, and more flexibility from our unions and our guilds in order to make things at different price points so that as independent film producers we have a fighting chance to keep things in the U.S. The truth is, as state-based subsidies continue to change and move, that’s not enough. We have to find ways to have independent film producers stay in the United States, and it’s a massive challenge, so that in between the big studio films there’s a thriving ecosystem of film." wp.me/pc8uak-1lHDxk
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There is an answer, but I think film should be closer to poetry than math.
What was the point of Lakeith’s character in I love boosters
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imagine if we finally got a song of the summer and it’s Rock Lobster by the b-52s
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Women in SPACE (Social Media, PR, Advertising, Creative direction and Editorial)
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An app where you see your mutuals.
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Replying to @zendadddy
coming soon...!
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Replying to @ch1cken_t3nder
β€˜i was like’ includes everything i said, thought, and emotionally experienced in that moment.
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People are getting less literate in the literal sense, but their illiteracy extends to audio/video now? They just… react immediately to the overall ~vibe~ and not the actual content. Makes me wonder where language itself will be in the next few years
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99% of brands killing it on social rn are run by girlies who grew up with unrestricted internet access and tumblr fan accounts
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Yeah who does he think he is, the mayor of New York?
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Everyone wants taste but no one wants to hire weirdos. Seems off to me.
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