
writing about television. previously @NationalWorldTV @Yahoo @MetroUK @RadioTimes @DigitalSpy @FlickeringMyth he/him [email protected]
Behind the sofa
Joined September 2014
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I interviewed Christopher Eccleston about #TheAWord, how music influences his performances, his favourite roles across his career, and how he's finding lockdown - all this and more for @YahooMoviesUK! uk.movies.yahoo.com/the-a-wo…
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The naysayers are getting embarrassing. Every day, people are using AI to make incredible breakthroughs and answer some of the toughest questions around, like "what do I like about my child?"
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been looking into waking up, anybody recommend some good starter times for waking up in the morning
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“It’s like if The Insider was released in a world where smoking was more popular than ever, and the Marlboro Man had recently been elected president.” really good from @i_zzzzzz defector.com/aaron-sorkin-wa…
ten years now since Class, which means it's five years since this @RadioTimes piece! still very proud of it
five years since Doctor Who spinoff Class began, I spoke to Patrick Ness, director @bazal80, + @Gregory_Austin, @ShoppieHopkins, & @jordothejiant (as well as new Series 2 writers) about making the show, their surprise cancellation, and Weeping Angel plans! radiotimes.com/tv/sci-fi/doc…
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Aaron Sorkin's infamous Studio 60 on the Sunset Strip debuted 20 years ago this fall. I talked with a group of contemporary comedy writers about why the show didn't work, but also why they're still obsessed with it: whatsalanwatching.com/anatom…
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Also the other thing a lot of you On Here don't want to hear is that ripping an independent critic to shreds for paying to go to his local theater and see a movie in defense of the absurd behavior of a multibillion dollar studio is ridiculous and you really should sit with that.
tbt! for those who haven't read - in honor of the YCSE release
as a celebration of 'Nathan For You' turning ten next week, here's a look back on the show and his continued impact in my first piece for @AltPress!
altpress.com/nathan-fielder-…
'Slow Horses' Season 7 Taps 'The Other Bennet Sister' Star Varada Sethu, 'Mank's' Tuppence Middleton variety.com/2026/tv/global/s…
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This past Valentine’s Day, 71-year-old Brad Reese, proud grandson of Reese’s Peanut Butter Cups inventor H. B. Reese, posted a scathing open letter to the manager of corporate brand and editorial at Hershey, accusing the company of unforgivably altering many Reese’s products by replacing real chocolate with compound chocolate — basically using vegetable oils instead of cocoa butter to lower costs and replacing real peanut butter with “peanut-butter-style crèmes.”
“And Reese wasn’t alone in feeling like everything was getting worse,” writes Rachel Handler. “Everyone in my life I spoke to agreed that something was amiss, that Reese’s — and commercial chocolate in general — didn’t taste the way it used to.”
Handler would spend the next several months tumbling down a chocolate vortex, encountering dozens of eccentric characters, all disagreeing about the fundamental question of what chocolate even is and who it should be for.
“I learned that — not to sound like a LinkedIn guy — what’s going on with chocolate is a parable for the modern world. That at this particularly bleak end stage of capitalism, everything we once treasured has or will lose its essential essence and MrBeast will always be involved somehow.”
For our cover story, Handler takes a deep dive into the molten belly of the chocolate world. Read it in full: nymag.visitlink.me/vKKky_
Would you lie to this man?
EXCLUSIVE: Nathan Fielder, codirector of the Elizabeth Holmes documentary ‘You Can See Everything,’ sat down with WIRED for an extended interview—the first he’s given to discuss the film.
🔗 wired.com/story/nathan-field…







































