Doug Armato (@noctambulate) header
Doug Armato (@noctambulate) profile picture

Text based life-form. Wry, Misanthrope, Reading (lots), Long Drives, Baseball, Baking, Hiking. I read multitudes.

Minneapolis MN, Hayward WI
Joined September 2008
Photo by Doug Armato (@noctambulate)Photo by Doug Armato (@noctambulate)Photo by Doug Armato (@noctambulate)Photo by Doug Armato (@noctambulate)Photo by Doug Armato (@noctambulate)Photo by Doug Armato (@noctambulate)Photo by Doug Armato (@noctambulate)Photo by Doug Armato (@noctambulate)Photo by Doug Armato (@noctambulate)
Doug Armato retweeted
Anyone who wants to get in politics on any level better read it!
Scott Colom has read the LBJ series
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There is a lot to be happy about in last night’s election results, but I am the happiest about Keith Ellison’s reelection. @keithellison
Keith Ellison: "Donald Trump demanded we turn on our Somali neighbors, and we said 'no way, never!' He demanded that we turn on our immigrant and refugee neighbors, and we say, 'no way, never!' He demanded that we turn on our trans neighbors, and we said 'absolutely not' ... tonight, we showed up for each other again."
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Doug Armato retweeted
Remember when all the Big Tech, Wall Street, Big Law, media, and universities bent the knee to Trump? That was less than two years ago.
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Excited @rnmackenzie_ray’s translation of Barbey d’-Aurevilly’s spooky THE BEWITCHED is out. It centers on a half-dead apostate priest, Abbé de la Croix-Jugan, “a creature formed to overpower the imaginations of others . . . for history has its rhapsodies just as poetry does.”
New translation: just out!
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New translation: just out!
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Reading Le Carré’s THE SECRET PILGRIM in which the effete and traitorous spymaster Bill Hayden makes a languid appearance: “His was furious. I would never have imagined that lethargy could convert to such violent anger. . . . even in passion he conveyed a deadly casualness.”
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Step One was finding the shelf space for Vollman’s latest behemoth . . .
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Doug Armato retweeted
Anne Carson on Hesitation in The Paris Review
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Last night finished De Quincey’s marvelous MEMOIRS OF AN ENGLISH OPIUM-EATER. He follows a section on the pleasures of the drug with an account of the struggle to wean himself from its dominion, which he refers to as an “Iliad of woes” — truly a siege upon his own mind and body.
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“I might, indeed, be said to have existed in a dormant state. The opium eater loses none of his aspirations” explains De Quincey, “but his intellectual apprehension of what is possible infinitely outruns his power . . . He lies under a world’s weight of incubus and nightmare.”
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“The dread book of account of which the scriptures speak is, in fact, the mind of each individual,” postulates De Quincey in OPIUM-EATER. “There is no such thing as ultimate forgetting . . . [it] remains forever just as the stars seem to withdraw before the common light of day.”
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“I confess it, as a besetting infirmity of mine, that I am too much a Eudaemonist; I hanker too much after a state of happiness, both for myself and others; I cannot face misery, whether my own or not.” Thomas De Quincey, MEMOIRS OF AN OPIUM-EATER
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“The druggist (unconscious minister of celestial pleasures),” recalls De Quincey of his first purchase of opium from an unprepossessing Oxford St. shopkeeper, “has ever since figured in my mind as a beatific vision sent down to earth on a special mission to myself.” OPIUM-EATER
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De Quincey relates in his MEMOIRS OF AN ENGLISH OPIUM-EATER that he looked for but never encountered this beneficent druggist again, imagining that he must have simply “evanesced” from London’s dull, drizzly, and decidedly un-transcendent pavements.
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In De Quincey’s notorious MEMOIRS OF AN ENGLISH OPIUM-EATER, a solicitous friend suggests opium as remedy for a crippling toothache, but the young Thomas quickly finds it has much wider curative powers: “Here was a panacea for all human woes; here was the secret of happiness.”
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“But I took it; and in an hour, O! heavens . . . that my pains had vanished was now a trifle in my eyes [amid] the immensity of those positive effects which had opened before me, in the abyss of divine enjoyment thus suddenly revealed.” De Quincey, OPIUM-EATER
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Stairs to nowhere Sidney, IL
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The Stranglers - Walk on by 1978
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The clockwork of vague guilt and anxiety in Simenon’s THE VENICE TRAIN: “He had gotten into the habit of thinking things over. It had become a mania. He did it without realizing it, as though he had a little mechanism in his head that was always ticking, even at night.”
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“That morning he made a momentous discovery that affected him more than he realized . . . . he did not have a single place where he could hide an object.” In Simenon’s THE VENICE TRAIN, every impulse is thwarted by bourgeois domesticity. “He was a prisoner of his household.”
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