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Holy wow🤩 we made the finals!
Emergence invites viewers into the final moments of one small creature’s life. Through its eyes, we experience the anticipation, the fear, and the joy of becoming — and what it means to live for one moment of light. cheers to the Cicada Squad 🏆👏🍻
Rakelle retweeted
How Grimes' Cameo in Theater-Bound AI Film ‘Gods Don’t Give Gifts’ Came Together (EXCLUSIVE) variety.com/2026/film/news/g…
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Thank you for showing us that wonder has no limits.
Painter, sculptor, installation artist.
Yayoi Kusama, 1929–2026.
Rakelle retweeted
Yayoi Kusama (1929 – 2026) has died in Tokyo, aged 97 wallpaper.com/art/yayoi-kusa…
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Lamentablemente, el mundo del arte se encuentra de luto tras el reciente fallecimiento de Yayoi Kusama en Tokio, a la edad de 97 años.
En este video puedes ver su histórica exhibición en Melbourne que quedó registrada como uno de los pináculos celebratorios más masivos y exitosos de su icónica carrera global en vida.
Tuvo lugar en la National Gallery of Victoria (NGV International) del 15 de diciembre de 2024 al 21 de abril de 2025.
Esta aclamada muestra histórica se convirtió en la exposición con boleto pagado más visitada en toda la historia de la galería australiana, atrayendo a un récord total de 570,537 visitantes.
Fue la retrospectiva más grande dedicada a Kusama en Australia, reuniendo cerca de 200 obras que abarcaron más de ocho décadas de trayectoria, desde dibujos que realizó a los nueve años hasta sus piezas más contemporáneas.
La galería albergó un récord mundial de 10 instalaciones inmersivas simultáneas, incluyendo sus icónicas habitaciones infinitas de espejos (Infinity Mirror Rooms).
Contó con el debut mundial de una nueva Infinity Room creada especialmente para el espacio de Melbourne, además del debut australiano de las colosales esculturas al aire libre e interiores como Dancing Pumpkin y The Hope of the Polka Dots Buried in Infinity Will Eternally Cover the Universe.
Video con edición original en español para efectos educativos y culturales.
Hybrid filmmaking is here - love to see it!
We shot this with real actors.
Then AI helped us build the world around them.
This is a before/after VFX breakdown from KIRO – Learning to Stay, our #FutureVisionXPRIZE submission.
Using tools like Seedance, a small filmmaking team can now create shots that would have required a completely different budget just a few years ago.
AI didn’t replace our crew.
It expanded what our crew could create. 🎬🤖
Rakelle retweeted
Cosmetologists have discovered AI video.
Their businesses largely depend on social media, and these clips to “stop the scroll.”
This creator (atelierartai) was a lash & brow tech - she’s now a SAHM who teaches beauty professionals how to use AI.
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AI filmmakers are one of the MOST in-demand people in the creative industry right now. This is the dilemma right now.
There are NOT enough AI filmmakers, partly because being really good at editing, cinematography, AND actual AI skills is a LOT to master. The very best AI filmmakers are very rare.
There are 6 entities that are hunting for them, causing a squeeze in the job market:
> Big studios - want to hire AI filmmakers for experimental and research projects
> AI studios - they’re experiencing demand for their own projects and clients and need AI filmmakers to train and work on those projects
> AI tool companies - want to hire AI creative directors and filmmakers to showcase their tools
> AI streamers - who want to fill up their catalog with AI content
> Ad Agencies - nobody cares if an ad is made with AI. Agencies are training up their own people to do AI to cost save on ads and…
> Brands - are demanding quicker, cheaper, and more variety and since it’s so easy, they’re also hiring to tinker and even shorten feedback timelines
While one side of the creative industry is losing jobs, demand in this industry is exploding and not abating. AI skills are very easy to learn but VERY hard to master.
Rakelle retweeted
Top TV execs Jana Winograde and Susan Rovner tell @elainelow why they pivoted into microdramas, where they now play faster and looser in ways unimaginable inside their former corporate behemoths theankler.com/p/the-mid-care…
Rakelle retweeted
A new method of filmmaking just arrived. Earlier than anyone expected. It combines performance capture and virtual production at scale, and it's being tested right now for the first time in the industry. We call it Hybrid Production. This is what the future looks like. The future of filmmaking. Part 1.
Read more. lumalabs.ai/news/luma-innova…
Rakelle retweeted
For the Runway Big Ad Contest I wanted to create something simple, that brings back some memories of the early 2000s commercials. I chose Japan as the location, maybe because the story fit perfectly the museum islands: Teshima and Naoshima, wooden houses, amazing mountains and magical tiny islands. Also the location enabled to use all the cliches, including the battery mascots at the end.
This story could work better in a long form 90 or 120 second length, but rules are rules!
Look wise I was going for a very grainy 16mm look - like if it was shot 1-2 stops under - , grabbed the settings that I’ve tested during my AI to film transfer, but adjusted it for a more contrasty, early 2000 cinematic look. #RunwayBigAdContest