
Writer Truth Matters #AuDHD ✍️📚🎤📖✍️🎥✍️📷📽️🎧
Wexford, Ireland
Joined August 2009
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#BrendanBehan100
1. My cousin Richie Dooley served time for Land Agitation in Mountjoy Gaol
He was working the farm of an arrested man so it couldn't be siezed
In Jail he met the Quare Fella, because they shared a landing with the IRA
At night the RA would march to the cells – at Wexford, Ireland
I drew this in 2015
& said I'd love one of those hair dryers
3 months later at a party a man opened his garage and said do you want that orange yoke?
Yes, yes I do
It still worked though there was a Peggy Dell of burning off it
I gave it to another man & said make it a lamp
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Michelle Dooley Mahon (mdm) retweeted
Rest in peace Johnny McEvoy (1945 to 2026) McEvoy was born in Banagher, Co. Offaly, on the banks of the Shannon, and was singing from the age of four. The family moved to Dublin when he was six, his father a bus driver, and he grew up in Inchicore. He wanted to be a commercial artist, studied in Rathmines and landed a job in an advertising agency, to his parents' delight.
At night he sang folk with his pal Mick Crotty as the Ramblers Two, in the pubs and hotels of the great Irish folk boom. In 1966 he made the call his parents didn't want. He was on £8 a week in advertising and could earn the same in one night as a solo singer, so he quit. His first single went nowhere.
He filled out the visa forms for America, where his sister was waiting in Kansas, while singing in Maureen Potter's show at the Gaiety. Then his manager Tom Costello talked him into one last go at home. Billed as The Rambler, he recorded Muirsheen Durkin, an old emigrant ballad about a man chasing gold in California. A song about leaving that kept him here.
It held the top spot for three weeks. The Boston Burglar followed in 1967, then Nora in 1968. For a few giddy years he was chased down O'Connell Street by adoring fans, guitar under his oxter, one of Ireland's first real pop stars. He played Carnegie Hall, and even said he was more confused than ever because things were going too well.
When the Ballrooms of Romance ruled, a solo folk singer was only allowed 45 minutes between the dancing. So in 1970 he did what many did and formed a show band. If you can't beat them, join them. The hits kept coming, he had his own RTÉ series, and he graced the cover of Spotlight magazine more than any other solo act of the era.
The songs he wrote himself may be his truest legacy. Long Before Your Time, the first single he recorded that he had written himself, went to number one in 1976, his fourth chart topper. Michael followed, and so did The Planter's Daughter, a love song for his beloved wife Odette, whom he met in 1967 and married in 1970. She passed away in 2013 and he sang her song for the rest of his life.
In the 1990s he was ahead of his time trying to break the stigma around men's mental health, speaking openly on national television about his depression. He worked across six decades and was still filling venues this year. His music often filled our gaff and car growing up. Thanks for the memories sir.
Ar dheis Dé go raibh a anam.
Aw hun. I bought a ticket. 🎫 – at Wexford, Ireland
Ah “Hun”, A house in Wexford for only €20! It could be yours! 😁
🏡 Win a beautiful 3-bedroom house in Ferrybank, Wexford
🎟️ Tickets only €20
📲 Buy yours now! ➡️ winahouseinwexford.com
Thanks to @liam_byrne_musician
#winahouse #wexford #hun #wexfordhun #howyahun
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Meet Ernest Bernest my 84 year old #yorkshireterrier
He's a complete unit. 🇮🇪😏 – at Wexford, Ireland
Michelle Dooley Mahon (mdm) retweeted
Trim Castle, County Meath.
My grandfather-in-law made this from old cereal boxes when he was 97.
Thought I'd share a pic of it, before it goes to the attic temporarily.
I’m not sure he ever actually visited…
@HeritageIreOPW
Michelle Dooley Mahon (mdm) retweeted
One of the things I write about most often is the importance of dedicating yourself to something that allows you to refine yourself. For me, it’s martial arts and sword training. For someone else, it might be music, painting, or any number of other disciplines. Inevitably, someone will respond by saying there’s nothing we can do to become more than we already are. That there’s nothing to attain, nowhere to go, and no progress to be made. And I agree. At the deepest level of our being, there’s nothing missing. But recognizing that truth doesn’t automatically eliminate a lifetime of conditioning. You can experience the dissolution of the ego and still be impatient, undisciplined, selfish, or controlled by your fears and desires. Realization and integration are two very different things.
This is why we need a discipline. We aren’t trying to become something greater than we already are - we’re trying to refine the habits and behaviors that prevent us from living in accordance with what we’ve realized. I can’t become patient simply by understanding patience. I have to practice it. I can’t think my way into becoming disciplined. I have to repeatedly do things that require discipline. The danger is allowing the ego to turn these accomplishments into another identity, another reason to feel superior to others. The purpose of the work isn’t to create a better ego, but to become less controlled by the one we already have. There’s nothing we need to become, but there may be a lifetime of things we need to unlearn. Enlightenment isn’t the end of the work. It’s the beginning of learning how to live.
Michelle Dooley Mahon (mdm) retweeted
Replying to @shellakeypookey
I've tried CBT with three different practitioners at different times. After a few minutes of trying all three of them told me a variant of the line, "This isn't going to work for you."
This – at Wexford, Ireland
Therapy doesn’t work for me, and I’m not convinced it was built with autistic people in mind.
The second I walk into that room, I start masking on autopilot. It’s like my face has a “Customer Service Mode” button.
I can hear what she’s getting at beneath the words. I spot the technique. I can practically see the flowchart. So I leave feeling worse, not better: analysed, not helped.
To be fair, she’s doing her job. I get it. She’s trained to sound like she understands, warmly and thoughtfully, with the right pauses in the right places. But it feels like she’s performing empathy, not feeling it.
Meanwhile, I’m sat there thinking: Brilliant. I’ve just paid money to watch someone try to reverse-engineer my brain with a toolkit that doesn’t fit.
By the end, I’m the one doing the heavy lifting. I walk out knowing more about psychology than anything that actually helps with my daily struggles.
Anyone else feel the same?
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I've heard babbling brooks make more sense than this guy.
#HowIrelandWorks #Quango
Fair play @cllrcathyb
Uisce Éireann CEO Niall Gleeson has defended a €118,000 increase in his overall salary to €391,953 - saying he and the utility are providing value for money to the public.
🚰 separate questions over a €4,000 spend on PR advice before attending the meeting with TDs and senators
#IrishWater #CEO
rte.ie/news/politics/2026/10…
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Michelle Dooley Mahon (mdm) retweeted
😮 Katie Zacharia crashes and burns on [checks notes] Hannity 😮
If you had the "over" on Zacharia lasting more than one Scaramucci, her epic flame out on Hannity just now won't help your cause
HANNITY: You said you consulted with people who advised you it was okay to call yourself a lawyer but not an attorney, correct?
ZACHARIA: Correct
HANNITY: There's a report out tonight showing 15 social media posts where you identify yourself as an attorney
ZACHARIA: I think they were retweets
Here's the whole interview:

























