so you found a girl who thinks really deep thoughts, what's so amazing about really deep thoughts
columbia, missouri, usa
Joined January 2009
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Chris Boeckmann retweeted
"Outsiders are the only people I really have any chance of connecting with."
Today in the Journal: Underground filmmaker Tom Palazzolo, aka Tommy Chicago, discusses his idiosyncratic films and career. Interview by @tapestore. metrograph.com/tom-palazzolo…
Stoked to discuss these questions with three people I look up to! Sunday:
💥Distribution Advocates has gathered @jemjemdesi @orwany @tapestore who have intimate understandings of the inner programmatic workings of a wide swath of film festivals to discuss “Film Festival Accountability”—this SUN Apr 3 9a PT/12p ET/18h CET distributionadvocates.substa…
Chris Boeckmann retweeted
Critics Leo Goldsmith & @tapestore join the podcast this week for an Art of the Real overview, opening Thursday at @filmlinc. Highlights include Alice Diop’s early films, Sharlene Bamboat’s IF FROM EVERY TONGUE IT DRIPS, David Easteal’s THE PLAINS, & more: filmcomment.com/blog/the-fil…
As usual, incredible work from Abby:
Ending with my admiration for I DIDN'T SEE YOU THERE, and my concerns about JIHAD REHAB spotlit by Muslim and Arab filmmakers on #jihadrehab tag and an analysis of the film & its own extra textual materials filmmakermagazine.com/113253…
ALT Screenshot of Abby Sun's third Sundance dispatch for Filmmaker Magazine, introducing a criticism of the look and politics of JIHAD REHAB.
ALT Screenshot of Abby Sun's third Sundance dispatch for Filmmaker Magazine, citing I DIDN'T SEE YOU THERE as "an emboldened cinema of disability."
Wrote about JIHAD REHAB, I DIDN’T SEE YOU THERE, and more. Many thanks to my editors @devikagirgayi and Clinton. filmcomment.com/blog/sundanc…
Very overwhelmed by the kind words today. Thanks everyone. <3 I was absurdly fortunate to program here and am grateful the job introduced me to so many of you.
With equally deep senses of loss and pride, we share that our long-time, visionary film programmer, Chris Boeckmann, is leaving the organization. We will miss his exceptional talent & are eager to see what he will accomplish next.
tinyurl.com/y86o96zp
truefalse.org
Chris Boeckmann retweeted
Filmmakers of color! @truefalse Film Fest has announced PRISM, a new initiative for ten U.S.-based filmmakers of color who are evolving the language of creative nonfiction. Applications are due Monday, January 20th at 5pm CST. More info here: bit.ly/36Yh0y3
Chris Boeckmann retweeted
Presenting the trailer premiere for Jeffrey Peixoto's mesmerizing, wholly original film OVER THE RAINBOW, which enters the mindsets of people who have had experiences with Scientology.
Join us for NY premiere this Friday at @FilmLinc: filmlinc.org/FCS2020
Chris Boeckmann retweeted
Tonight’s the night 🌹 7pm @MuseumModernArt @MoMAFilm “Human, delightful, and a corrective look at how misery is not what defines our communities” @IndieWire✨
submitted this list a few weeks ago. have since regretted some omissions but still love/recommend all these:
Chris Boeckmann retweeted
There’s no more procrastinating! Today is the last day to submit a film to be part of True/False 2020! #foresight truefalse.org/submit/feature…
Thanks to the many mid-Missouri residents who made this happen and apologies to those in the LGBT community for all the pain this caused, this week and prior.
Ragtag Film Society Ends Sponsor Relationship with The Crossing ragtagcinema.org/blog/2019/1…
Photos lie! I promise I'm very excited to program with Jeanelle and Amir!
Meet the True/False 2020 Programming Team! We're thrilled to present Jeanelle Augustin as our new festival programmer, returning programmer Amir George and newly appointed Director of Programming Chris Boeckmann. Read more:
truefalse.org/programming-20…
Chris Boeckmann retweeted
ESSENTIAL DOC VIEWING: Leigh Ledare's masterpiece, the unforgettable THE TASK, is available to all for free leighledare.com/The-Task
Chris Boeckmann retweeted
Whiplash that is sometimes good, sometimes bad, sometimes exhilarating! To be clear to everyone, I adore this very problematic film, which brilliantly builds in a very lenient interpretation into its own structure:
The actual effect of watching GENESIS is a bit like whiplash, as the film switches between three different storylines. Abby Sun reviews: filmcomment.com/article/the-…
Hi mid-Missouri friends! CPS grad here. Fuck this dude. Please vote against him. (in case you're not following: columbiamissourian.com/news/…)
Chris Boeckmann retweeted
Since 6am the volunteer “Special Ops” of @truefalse have been downtown shoveling snow. If you see someone today in one of these hats, say “thanks,” hug ‘em, heck, buy them a beverage. They’re earning it.
So grateful to @sarahtai for demonstrating how program notes can transcend hype and instead be a way for programmers to stimulate conversation with those who generously gamble on the screenings we host. How we can show respect. This is brilliant criticism: verticalfeaturesto.com/did-y…
Chris Boeckmann retweeted
2018: The Year According to Amir George walkerart.org/magazine/2018-… via @walkerartcenter
Chris Boeckmann retweeted
Here is the annual 25 New Faces of Film list, we hope you enjoy this year's edition. filmmakermagazine.com/series…