
Online communications addict, comm manager a.i., strateeg, trainer, spreker, freelancer, blogger. #latteplease
The Hague, South Holland
Joined December 2008
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Tjans retweeted
I am a member of the Norwegian Nobel Committee.
There are five of us. Five people, appointed by a parliament most of the planet could not find on a map, who decide, once a year, which human being the world has agreed to call good.
I know. I know. I think about it on the tram.
We meet in a building on Henrik Ibsens gate, a street named after a man who wrote almost exclusively about people discovering they are frauds, which nobody on the committee finds funny except me. There is a room with a long table and the portraits of the dead laureates looking down, Mandela, the Dalai Lama, a great many earnest men in spectacles, and one portrait we do not discuss, which is Kissinger, 1973, awarded while the bombs were still falling, after which two of our predecessors resigned and the satirist Tom Lehrer said political satire was now obsolete. We keep him on the wall. A reminder. Every family has the uncle.
It is October in Oslo, which means the sun gives up around four in the afternoon like a civil servant, and it rains the particular Norwegian rain that isnât quite falling, just hanging there, judging you. I arrive with wet shoes. I always arrive with wet shoes. There is coffee, because this is Norway and there is always coffee, we drink more of it per person than almost anyone alive, and someoneâs wife has sent kanelboller, the cinnamon buns, and we sit, five Norwegians, damp, caffeinated, sugared, and we decide the moral standing of the entire species.
Let me tell you how it actually works, because the world imagines a cathedral and it is, I promise you, a book club with a mandate.
287 nominations this year. 208 people, 79 organizations. Anyone can nominate, thatâs the secret nobody understands: a professor, a parliamentarian, a former laureate, so the ânomineeâ list is meaningless, itâs a suggestion box, and every autumn some congressman nominates his own golden retriever and the press writes âSHORTLISTED.â Nobody is shortlisted. There is no short list the public ever sees. There is us, and the coffee, and the rain, and the portraits, and a Norwegian stubbornness that is older than the prize itself.
We read reports. The instituteâs advisers write them, thick dull documents, and we argue. Our chairman told the BBC once that in the final meeting âthere is a high temperature.â High temperature, for a Norwegian, means someone slightly raised an eyebrow and then apologized for it. We donât do high temperature. We do a long silence, and then Kristin says âwell,â and everyone knows exactly what âwellâ meant, and itâs settled. Thatâs our shouting. âWell.â Youâd have to be raised here to hear the violence in it.
Now. This year. I will not say the name, because we never say the name, but you know the name.
A certain head of state wanted this prize the way a child wants a thing in a shop window, which is to say loudly, and in public, and with the full belief that wanting it was itself the argument. He said he deserved it. He said heâd ended eight wars, a number that grew most times he said it, like a fish. He had other heads of state phone us. Israelâs prime minister posted it on the internet, âGive him the Nobel.â The leaders of Cambodia and Pakistan announced theyâd nominated him, as though announcing it were part of it, as though we tally mentions. A man flew around the globe collecting endorsements for a Norwegian committee the way youâd collect signatures for a petition to the council about a noisy dog.
And here, uff da, is the detail I treasure, the one that makes me smile into my coffee. The nomination deadline is the 31st of January. He took office on the 20th. So for all the phone calls, all the posts, all the gilded lobbying, the only nominations that could possibly count for this yearâs prize were filed in the first eleven days of his term, before he had, by his own arithmetic, ended a single one of the eight wars. He campaigned all year for a prize whose window had shut while he was still hanging up his coat. We didnât have to reject him. The calendar did. We just watched. Norwegians are very good at watching. We have long winters.
People think we sit there weighing his deeds. We donât. Thatâs the thing I canât make the world understand. Weâre not grading his homework. We donât owe anyone the prize for a ceasefire, however real, however loud the announcement. âHe made peaceâ is not a sentence that ends in a medal, the way he believes it does, the way he believes every good thing ends in his name on it. The will of a dead Swede says the prize goes to whoever did the most for fraternity between nations. A dead Swede, I should add, who made his entire fortune inventing dynamite and selling arms, and spent his last years horrified at his own obituary, which called him a merchant of death, and so bought his way to immortality as a man of peace. The whole prize is one guilty arms dealerâs attempt to launder his name. We are, all of us, administering a dead manâs public relations. I find this clarifying. It keeps me humble. It should keep everyone humble, and it keeps, by my count, no one humble at all.
So who did we give it to?
An eighty-five-year-old woman. A judge. Born in Durban, under apartheid, granddaughter of a Tamil man who came to South Africa as indentured labor, a bus driverâs daughter from the poor Indian quarter, who became the first non-white woman to run a law practice in her province, who defended Mandelaâs people when defending them was dangerous, who sat on the Rwanda tribunal and the court at the Hague, and who, at eighty-five, is right now a judge weighing whether a genocide is a genocide. When we told the world, our chairman said the rule of law âunderpins the system we have set up to ensure peace,â and that âpeace requires justice.â She wasnât even in Oslo. She was in Nuremberg. In courtroom 600. The actual room where they tried the Nazis. You cannot stage that. God staged that, and God, it turns out, is a better satirist than any of us.
She did not phone us. She did not post. No prime minister demanded it for her on the internet. She had, as far as our deliberations are concerned, the one qualification the loud man could never manufacture, which is that she wanted the work and not the medal. The medal finds those people. It flees the ones who chase it. This is not a rule we wrote. Itâs just the only pattern the hundred-odd years of our mistakes has ever shown.
The reaction from across the ocean was immediate. His spokesman posted that we âplace politics over peace.â Ja. Perhaps. Weâre five damp pensioners in a rainy city; of course itâs political, it was always political, it was political when we gave it to a sitting American president nine months into his first term for the promise of things he had not yet done, and we have been quietly embarrassed about that one for fifteen years, so believe me, we had a particular reason this year to prefer a woman with fifty years of verdicts behind her over a man with eight wars in front of him and a deadline already behind him.
Here is what he will never understand, the thing Iâd tell him on the tram if he ever took one. We are the one prize he cannot buy, cannot post his way to, cannot have a friendly dictator phone in for him. Not because weâre incorruptible, nei, weâre as vain and wrong and human as the portraits on our wall. But because the entire point of the thing, the only power a small cold countryâs book club has ever held, is that it goes to the person not performing the wanting. The moment you demand it, youâve proven you donât understand what itâs for, and proving that is itself the disqualification. He ran the most expensive campaign in the history of the prize and the campaign was the reason. He was never losing to Navi Pillay. He was losing to the concept.
Itâs dark now. Four oâclock dark. The buns are gone. Kristin said âwellâ an hour ago and we all went home. Iâm on the tram with my wet shoes, and somewhere across the water a very powerful man is explaining to a camera that the prize is rigged, that weâre corrupt, that heâll win it next year, and he genuinely might, weâre only five idiots and weâve been wrong before, Kissinger is still on the wall.
But not this year. This year an old woman in Nuremberg, in the room where the law once stared down the exact kind of man who thinks wanting a thing loudly enough should make it his, got a phone call she didnât ask for.
Thatâs the job. We donât reward the man who ends the war and announces it.
We reward the woman who spent fifty years deciding what a war was.
Heâll never see the difference. Thatâs rather the whole point of him.
Takk for i dag. I have to change trams.
Tjans retweeted
Trump dag 631: Woning Omar doorzocht, Trump zegt dat Rusland en OekraĂŻne akkoord zijn, âomdat ik zei: jullie zijn akkoordâ, majoor die opriep tot afzetten Trump al acht weken in isoleercel, Republikeinen geven $25.000 uit voor spotje in verkeerde staat: reportersonline.nl/trump-dagâŠ
100 Days to Save Wikie & Keijo: France Must Secure Their Safe Future - Sign the Petition! c.org/pycxjyRZbN via @Change
Tjans retweeted
Show this to your MAGA friends who try to paint a picture of a collapsing Europe.
đ€ Made with AI
Tjans retweeted
One of my dissertations was on the causes of the second world war.
I wrote it late, in a hurry, when I was young, naive, sleep deprived, and thought that it was ancient history.
But one aspect of what I wrote was what Germany looked like *from the outside*.
đ§”
Tjans retweeted
This is so needed, especially for this appđđđđđđđđđđđ
Ik, als nask docent, moet het even opnemen voor @ProRail en @NS_online want het is niet zo dat je sneeuw in NL makkelijk kan vergelijken met Zwitserland, Noorwegen en andere sneeuwrijke landen. Luister naar deze natuurkundecollega, ik kan het niet beter uitleggen.
Tjans retweeted
"This is not really a strategy document. It is a suicide note. If the ideas within it are used to shape policy, then U.S. influence in the world will rapidly disappear, and Americaâs ability to defend itself and its allies will diminish.â
theatlantic.com/ideas/2025/1âŠ
Tjans retweeted
âDe fophef gaat samen met schijnfatsoen; het zijn altijd naar radicaal-rechts afgedreven types als Caroline van der Plas die het meest jammeren over âpolarisatieâ.â volkskrant.nl/columns-van-deâŠ
Tjans retweeted
Van der Plas: 'Van de Tweede Kamer is bekend dat er wel veel D66-mensen zitten' speld.nl/2025/10/30/van-der-âŠ
Tjans retweeted
Weten jullie wat leuk zou zijn? Als @RobJetten @SigridKaag vraagt om premier te worden.
Tjans retweeted
Heb jij je weleens afgevraagd of jij je zou hebben verzet tegen de Duitse bezetter in de Tweede Wereldoorlog?
Het antwoord ligt in wat je nĂș doet tegen opkomend fascisme: kijk je weg of spreek je je uit?
Fascisme krijgt een kans omdat mensen denken dat het allemaal wel zal meevallen.
En als het dan tĂłch misgaat, denken veel mensen dat ze er niets aan kunnen doen.
Dat klopt niet.
Samen kunnen we in beweging komen.
Adjunct-hoofdredacteur van "De Correspondent" Rosan Smits vertelt hoe.đ»
Tjans retweeted
** AZC-rellen
dat je zo bang
bent voor
overlast dat je
zelf alvast je
woonplaats
vernielt **
#Loesje #Coevorden
Tjans retweeted
"Nederland heeft geen mannenprobleem in Nederland. Nederland heeft een allochtonenprobleem"
Met zulke Nederlanders heb je geen immigranten meer nodig toch?
Hooligans zaten achter rellen in Den Haag, politiek keurt geweld massaal af nos.nl/l/2583335?utm_medium=âŠ
Tjans retweeted
ANDOR writer Dan Gilroy has released a statement critiquing the Trump administration and commenting on the parallels between the show and Disneyâs suspension of Jimmy Kimmel.
âAs one of the writers on the Disney+ drama Andor, we spent six years thinking about a fascist takeover of a galaxy far, far away. Six years thinking about ordinary beings as an authoritarian regime comes in for the kill. Many people saw parallels between Andor and the real world. I see them as well, particularly in the events of the last week.
Donald Trumpâs tools of governance, coercion and intimidation, have found focus on Hollywood. Faced with a social media firestorm, fear, and an FCC head threatening âthey can do this the easy way or hard way,â Disney suspended Jimmy Kimmel for speaking his mind. I deeply disagree but acknowledge it was a difficult decision. If you believe otherwise, wait until fate knocks on your door and demands you choose between conscience and hardship â because if you work in this industry that day is coming.
The suspension bought time, but not much. Disney now stands at a crossroads: terminate Kimmelâs contract and become pavement for the road to a brave new Trumpian world; or stand for the First Amendment and take the onslaught. Thereâs not much at stake, just free speech, the oxygen that sustains life in this town.
Trumpâs aim is to control what we make and say. The concept seems far off and abstract. Neither is true. Is it hard to conjure a new oversight office or cabinet seat? Is it difficult to picture Trump toadies deplaning at LAX with binders of banned topics and mandated alternatives? Youâll meet them when you have to pitch for approval or get grilled about subversive co-workers.
Regardless of how the jack-booted attack on Jimmy Kimmel is resolved, this isnât a skirmish. Itâs a siege. The first thing Putin did after taking power was silence shows that criticized him. Artists are censored first because they fear us most. The fact this isnât new doesnât diminish the shock of the last few days. The majority in Hollywood believed their job was entertainment â the bolder souls attempted to inject theme and commentary â but for everyone this has suddenly become Westworld real.
Whether youâre reading this on line at Blue Bottle or killing time before your 3 oâclock Zoom or staring at a glowing screen unable to sleep, we have all become characters in a story where our actions carry actual weight and consequence. Our industry faces the most sophisticated, venomous, creeping evil in Americaâs history. Thereâs no standing above this conflict. No impartial observers. If youâre on the sidelines youâve made a choice and must live with it.
Their goal is to instill fear, to make you feel helpless, hopeless, to break you down. Donât let them. Educate yourself. Organize. Speak truth to authority. Because the storyâs not written â the pen is in your hand.â


























