BATMAN

fucking hate this dude forever

#DCU : des détails sur ce qu'était le plan de James Gunn et Peter Safran jusqu'à la #JusticeLeague | comicsblog.fr/53062-DCu__des…

On that note, just occurred to me that it’s gonna be interesting to see how #TheBatmanPartII situation will be handled from now onwards, specially when it heads to post-production. One thing is having a colleague who’s also a creative, and empathetic friend who also happens to be your division’s CEO, having your back. Another thing is now having producers and film Execs with no attachment to you or to the film being made, and likely less empathetic and more focused on delivering hits as soon and as quickly as possible, waving on the situation. Would they also wait for #MattReeves as much as he needs until he is able to finish the film on Post production as he wanted and like Gunn meant him to? I really wonder what’s gonna be the Execs’ approach on this one… 🤔

Starting today, anytime there is positivity, we will -complain before we even see a trailer -root for box office failures -comment “ #restorethegunnverse “ -continue this for at least 5 years Am I doing this right?

Yo lo dije hay que tener paciencia para construir un universo en cualquier momento anuncian a Batman o la mujer maravilla hasta incluso capaz y se lo están guardando como sorpresa Pero no, miles y ciertos Fans de DC y demás me llamaron loco y me dijeron: -Que tengo fe ciega -Que como puedo seguir apoyando alguien como Gunn -Que porque apoyo su universo Y ahora que se revelaron sus planes : Ay no, ojalá no cambien los planes yo quería ver una liga de la justicia que mal que no vayan a hacer Batman ahora no cambien esos planes Par de hipocritas joder como me molesta este fandom enserio

Pour info le dernier film qu’a produit ce gars c’est ça Film conservateur où la majorité des blagues consistent à montrer un père de famille ne pas réussir les taches ménagères, que sa femme, elle, maîtrise à la perfection. Regard profondément daté sur les rapports homme femme. La société de production, Wonder Project, produit des films à destination d’un public chrétien (notre SAJE distribution à nous). De son côté Jeremy Latcham a plusieurs fois signalé l’importance des valeurs bibliques dans ses productions, l’importance de la morale et de la redemption. Cela semble donc bien huilé du côté de Paramount. Évincer les progressistes et les remplacer par des profils conservateurs.

The thing about this mindset is that it is, objectively, correct from a business standpoint. Marvel Studios is as successful as they are now because they’ve always approached their projects with the mindset of having the broadest appeal that could have their work be enjoyed by everyone. My issue is that this is what has also caused the MCU to feel extremely samey over the years and formulaic. This is why the MCU has few auteurs aside from Ryan Coogler who is only just now hopefully being able to have more creative freedom with his work, even though Marvel did jack shit to market the Iron Heart show he produced and- let’s be real- they’re still gonna make Ryan drop in that white guy in another Black Panther movie to ensure more white audiences show up. This is why the original Doctor Strange director, Scott Derickson, stepped down from the sequel due to creative differences because he wanted to tell a psychological horror that delved into the personal story of Stephen Strange and Marvel wanted to bolster their useless multiverse crap. This is why Nia DaCosta, despite being an incredible filmmaker, was quick to say that The Marvels does not belong to her but is a “Kevin Fiege movie”. This is why James Mangold publicly criticized the MCU for how they treated Logan and called them the “death of storytelling”. This is why Destin Daniel Cretton had to jump from an Avengers movie to Spider-Man before he could return to Shang Chi. This is why ex Blade director Bassam Tariq has gone on and said just how restrictive Marvel is with their filmmakers and treats their movies as, in his words, “a Marvel film directed by a person” rather than anything auteur driven. This is why Blade could never get its foot into production meanwhile a Shawn Levy Ghost Rider film is deep into production with a crew assembled and ready. This is why Wonder Man is cancelled whilst Israeli SHIELD gets the green light. This is why we are likely never going to get a female led project in the MCU ever again unless it’s an ensemble with men. The MCU is SAFE, and SANITIZED. When your goal is to make everything for everyone, you ultimately make it for no one. There are no creative risks, there is no distinct voice, there’s no authorship, and there’s nothing bold. And when there is such as Wonder Man? It gets snuffed out immediately and placed under the rug. James Gunn, for what it’s worth, had a passion to push against that. He understood that not everything should be for everyone and wanted creative freedom. He made a Superman movie that was experimental, carried bold subject matter, and was fully his own. He made the Peacemaker series which was undeniably him pouring himself into those characters and their story. He pushed for Elseworld productions like The Batman 2 and Dynamic Duo which will introduce a wholly new animation style never seen before. He wanted something as tactile and mature as Lanterns to not only carry serious topics of its own but still exist in the same world as his campy Superman. He wanted to do something radically different for cinematic universes by integrating a rated R body horror into his world. He wanted to shepherd a filmmaker driven world that could speak not only to different audiences but the storytellers themselves. And now that’s being tossed aside for standard practice and maximizing profit. The DCU was far from perfect and there a plenty of things to criticize, but their creative foundation and intentions were in the right place as they were finally doing something to have DC stand apart from Marvel.

James Gunn's DCU plans will be mostly dismantled, excluding what has already been filmed. (Source: @PuckNews)

“lacked pop culture impact” and social media was full of hopecore edits cause of this movie last summer

Puck and Matt Belloni reporting DC’s going back to reboot mode.

After Man of Tomorrow and The Batman Part II, i’m not going to support any live action DC project that is produced by Ellison… It’s time to admit that DC will never have a stable cinematic universe and that the company will be sell to another in few years again. It’s just a loop

One of the reasons Skydance replaced James Gunn and Peter Safran as the heads of DC Studios had to do with box office. • ‘Supergirl’ was a massive bomb this year. • ‘Superman’s $618M box office was not impressive to Skydance either, as the film lacked “pop culture impact” in their eyes. (Source: hollywoodreporter.com/movies…)

Alors l’idée de James gunn et Peter safran cerait surtout de faire un univers comme star wars ect …pas de recopier bêtement Marvel …

Intentionally overdramatic here but, all things considered, THE BATMAN - PART II is genuinely shaping up to be the last real superhero movie ever made.

So, what happened after Man of Tomorrow? Another reboot of the DC universe?

The new face of DC we are cooked. RIP Peacemaker and anything rated R

Being a DC fan is so annoying because DC is so clear in terms of storylines and writing and characters but mainstream audiences will never know because no one can be normal when trying to bring it to the big screen I hate this shit man it’s always something

We’re thrilled to welcome Jeremy to DC Studios! As part of the founding team behind the Marvel Cinematic Universe, he helped define the modern superhero movie and powered some of the biggest, most beloved comic book adaptations of our time. We can’t wait to see the stories he’ll bring to life, and how he’ll help build the future of DC for fans everywhere. James and Peter began a new era for DC Studios, guiding it through a major transformation and bringing audiences fresh chapters of beloved stories, including Superman, Lanterns and Creature Commandos. We’re grateful for the passion and care they brought to this work, and for the lasting mark they’ve left on DC.

Goodbye R-Rated Clayface movie, or Lanterns HBO show. Hello Robokirk Begins.