'The idea of the “real” Elizabeth Holmes is a flag that Evans and Fielder, warring totems of professed trust and inherent skepticism, fight desperately to capture. It’s a concept of which Holmes herself is fiercely protective. She takes particular concern with a 2023 New York Times profile that, in response to Hulu’s The Dropout and a potential new biopic, quotes Holmes as saying, “They’re not playing me. They’re playing a character I created.” Holmes insists that the quote was a fabrication, that she and Evans recorded every conversation with the Times and can prove she never said it. Both the quote and its subsequent denial could well be You Can See Everything’s thesis: Elizabeth Holmes has been rendered — both publicly and internally — an infinitely layered construction of identity, a living dialogue of performance and interpretation that’s dizzied the notion of truth into ephemera.' Christian Craig on the movie of the moment: inreviewonline.com/2026/10/1…