
VP of Technology at @theblaze | AI Filmmaker | Ex-Disney
Georgia
Joined January 2008
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Josh Daws retweeted
One of the most innovative contemporary working filmmakers just won an amazing award and fired the warning shot. His upcoming feature will be AI and it will shred the remaining slack-jawed faces of the doubters.
The gates have been stormed.
Hollywood is ours, now.
LFG
Congrats to @moonpay and @AskVenice for supporting innovative creators.
In this moment, I am euphoric. I'm incredibly grateful to Venice, Moonpay & the legenday judges.
My upcoming feature film, Rainbow Sun, will be made in @AskVenice 🌈☀️
xitter.cf/moonpay/status/2112939…
Josh Daws retweeted
If someone said, “I love romance!”
And your response was, “You love PORN?! Why do you love SINNING?”
We would hopefully recognize that as an unreasonable response.
But honestly that’s what a bunch of y’all are doing with “horror” right now and you look silly.
Is it too much to ask that we be charitable and reasonable? 😅😅😅😅There are actual enemies out there….
Josh Daws retweeted
Disney Animation’s upcoming original film, Clay, will feature a “completely new” art style, says Jared Bush.
“Clay will be a completely new approach and aesthetic - meant to look tactile, like claymation. Like nothing we’ve made before. You all wanted new art styles…. They are coming.”
The film stars Kieran Culkin and hits theaters in November 2028.
Congrats!
In this moment, I am euphoric. I'm incredibly grateful to Venice, Moonpay & the legenday judges.
My upcoming feature film, Rainbow Sun, will be made in @AskVenice 🌈☀️
xitter.cf/moonpay/status/2112939…
I love it.
We were spending $2,000 per DAY on generations for WEEKS on this film until we figured out this one trick.
I can't believe we didn't do this sooner!
Let me show you how we saved a ton of money on our latest episode of Nexus.
Prompts & Process below: 👇🧵
This is really good analysis. Creative devs are going to be the big winners in the AI revolution. This checks out. Most devs fall into one of two buckets. Those who learned to code for fun and those who learned to code to make something they envisioned. Most devs I’ve worked with fall into the first bucket.
Josh Daws retweeted
Replying to @bobsmietana
White evangelicals are (correctly) responding to the reality that “empathy” has been weaponized to get people to override logic, justice, and morality more than almost any other emotional impulse (and thus, yes, the way it is often used *is* dangerous)
Josh Daws retweeted
“The Simpsons” was a beloved animated sitcom that ran for ten legendary seasons and concluded in 1999. The show was celebrated for what was widely perceived as a near perfect run that wrapped before it wore out its concept and overstayed its welcome.
Creator Matt Groening and showrunner James L. Brooks famously decided to bring the show to a conclusion after experiencing the negative audience reaction to the season 9 episode “The Principal and the Pauper,” in which it was revealed that the school’s principal was actually an impostor who had stolen the real Seymour Skinner’s identity. Brooks did not want to sully the show’s legacy by doing a bunch of weird episodes as the franchise slid into mediocrity and cultural irrelevance, so the writers and cast decided instead to go out on top and end things on a high note.
However, because of its centrality in 90s pop culture, a long-running Internet joke is to pretend “The Simpsons” is still on the air, a premise that gets more absurd and deranged with each passing year. If this show were still producing new episodes, it would be in its 38th season now, and most of the voice cast would be in their 80s.
The joke is to imagine how distorted this charming show would have become if it had been stretched out to more than 800 episodes. Comedy posters on “weird Twitter” used to try to top each other by making up terrible ideas for what modern episodes of the show might be like.
For example, a viral 2012 tweet imagined an episode where Lady Gaga helps Lisa Simpson with her self esteem. In 2019, popular shitposter Megan Amram originated the premise of Bart Simpson becoming a men’s rights activist to protest a gender-swapped reboot of “Itchy and Scratchy.”
But perhaps the most elaborate Internet “Simpsons” joke was a 2017 YouTube mockumentary “The Problem With Apu,” in which the comedian Hari Kondabolu ironically pretended to be offended by the charming and innocuous convenience store owner character Apu.
Everyone thought this was hilarious, especially since the show had been off the air for nearly two decades when the mockumentary was released. So, Twitter ran with the joke by pretending to “cancel” Apu, and the viral gag memorably resulted in the character’s voice actor, Hank Azaria, recognizing the meme by promising never to perform the character again, which everybody thought was really funny since Azaria had been retired for years.
Now, nearly a decade later, fans are pretending that the show — which has now been off the air longer than most people tweeting about it have been alive— has brought back the “cancelled” character with a new racially-appropriate voice actor.
I actually don’t think this is that funny, and I kind of think the gag of pretending “The Simpsons” is still airing new episodes has overstayed its welcome, a mistake the actual show “The Simpsons” would never have made.
If you haven’t seen this 1990s classic, which — and I cannot emphasize this enough — ended after 10 seasons in 1999, you can watch all the episodes on Disney+ (except the one with Michael Jackson that got pulled from streaming).
Josh Daws retweeted
Blaze has adopted this really interesting business model where they simply pay Patriots to be correct about how the world works. This has never been attempted before in conservative media, and I’m excited to be a part of it.
I hope you join us!!
BlazeTV is American content, by Americans, for Americans.
If you believe our birthright is worth protecting, start your FREE trial today: bit.ly/47vDc3w
Here’s some nightmare fuel for you.
The Dancing Pig (1907)
youtu.be/EY69-S7O9Mo?is=3Zz4…
Josh Daws retweeted
I'd actually argue that horror is the most Christian genre of film. Obviously that's not true of the torture porn stuff -- films in the Texas Chainsaw Massacre tradition -- but supernatural horror is often subtly Christian and sometimes very explicitly Christian. It's the only category of film where the supernatural, demons, spirits, exorcisms, the Church, etc, are consistently taken seriously. The only genre where the priest might actually be the good guy. Horror has deep roots in Christian thought and tradition.
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Josh Daws retweeted
Horror is, perhaps unexpectedly, one of the most Christian genres of films. Now, a caveat is that most of what gets made today is aesthetically gross and filthy, but the central ideas of horror are often deeply Christian themes: the reality of evil, the inescapability of judgement, supernatural malevolence, the desire for evil to destroy that which is pure , and ultimately the triumph of righteousness and light over evil.
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A lot of software was never built because it was too expensive.
Smart connected products and services will let customers completely customise their experience. imagine Netflix letting you reshape the app around your preferences. Most won’t, at least not yet, because app ecosystems measure success by how long they keep you hooked and returning to the apps.
They got away with it because building your own or even pirating, in the case of entertainment, was too much hassle. Not anymore. Adapt or die.
This is just an app running on GoogleTV OS. No root access or hacking required. It talks to a process running on my always-on MacBook Pro for AI functionality and syncing between TVs.
The second (older TV) has an Onn GoogleTV streaming box that I got for $60 at Walmart.
The shortcuts, playlists, and widgets are managed from a companion mobile web app that runs on my local network.
























