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Multiversal is your exclusive source for over-the-top streaming media content from every corner of the multiverse.

Joined March 2021
Photo by Multiversal+ (@MpvStreaming)Photo by Multiversal+ (@MpvStreaming)Photo by Multiversal+ (@MpvStreaming)Photo by Multiversal+ (@MpvStreaming)Photo by Multiversal+ (@MpvStreaming)Photo by Multiversal+ (@MpvStreaming)Photo by Multiversal+ (@MpvStreaming)Photo by Multiversal+ (@MpvStreaming)Photo by Multiversal+ (@MpvStreaming)Photo by Multiversal+ (@MpvStreaming)
Multiversal+ retweeted
The fact that Edward *doesn't know he's the villain* also leads to some devastating humor (at his expense).
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Multiversal+ retweeted
I love watching Jonah Hauer-King's work as Edward. By playing the character entirely straight and from a place of deep personal truth, he honors the straight narrative while letting the irony of the situation shine through naturally. Superb craft. #thefaceofhorror
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Multiversal+ retweeted
Replying to @missannabiller
PLEASE we want the three hour version 🙏
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Multiversal+ retweeted
Also when people say it's too long I regret not releasing the three-hour version, which was rad
When I was a film student, all everyone talked about was my production values, complaining that they weren't good enough. So I worked. Really. Hard. On my product values. And now still all anyone wants to talk about is my production values. (???) #thefaceofhorror
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Multiversal+ retweeted
the face of horror (2026) dir. anna biller
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eu to em choque eu achei que era um filme antigo até ver o príncipe eric de a pequena sereia. então quer dizer que eles podem sim fazer filme colorido eles só não querem
the face of horror (2026) dir. anna biller
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Ten years after 'The Love Witch,' Anna Biller's ability to recreate not just the aesthetic and performance styles but also deliberate pacing of 1950s and ’60s genre cinema remains unparalleled. Read @ethanves' #TIFF review of 'The Face of Horror': thefilmstage.com/tiff-review…
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Multiversal+ retweeted
When I was a film student, all everyone talked about was my production values, complaining that they weren't good enough. So I worked. Really. Hard. On my product values. And now still all anyone wants to talk about is my production values. (???) #thefaceofhorror
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Altered States (1980) and The Lair of the White Worm (1988) are both very fine examples of the sheer cinematic audacity and borderline lunacy of the late, great Ken Russell. Altered States is by far the most compelling, and it stays with you long after it's finished. But Worm is so very, very entertaining and probably the better movie 'in the moment'. Thoughts?
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Edwina Booth 1931, photo by George Hurrell
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Multiversal+ retweeted
We have not, but clearly need to.
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Multiversal+ retweeted
Yes. And I love Lynn Bari! Have you seen her in "Shock," with Vincent Price? Another good psychological noir.
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We need more Psychic 🔮 Noir!! It did feel like every frame was sparkling. What a unique and special film. 🥰
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Watching THE SPIRITUALIST now! Gorgeous photography.
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Multiversal+ retweeted
Yes, love it
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@IanKeithMcDowel and I just watched WICKED WOMAN (Russell Rouse 1953) 😳💔😭 Have you seen it? Beverley Michaels gave one of the best cinematic depictions of female rage I’ve ever seen! It proves again your belief that B movies say more about social issues than big $$ films.
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Bebe Daniels as Joan of Arc. Photo by Eugene Robert Richee, 1926
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Rosalind Byrne perfects the art of the silent "not a chance" ....with Buster Keaton in "Seven Chances" (1925)
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Joan Crawford as Hamlet in 1929
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Multiversal+ retweeted
Lynn Bari in "The Spiritualist." Look at that lighting!
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