Embracing openness, seeking closeness Yin/yang, partner dance, improv, singing/harmony, game dev https://xitter.cf/t.co/UBndqTSBQ5

Michigan, USA
Joined September 2009
Replying to @myhandle
@myhandle's Navigation By Moonlight explored the feminine art of yin - setting up opportunities. Extend that logic to its natural counterpart - the art of yang is acting on opportunities - and you get a noble vision of what it means to be a man, that goes beyond just dating
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"my shirt has people asking a lot of questions already answered by my shirt" except it's your personality
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Like a singing teacher telling a new singer when they are off pitch, until the singer can hear what being off pitch sounds like themselves
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The struggle with learning anything is not knowing what correctness*feels like* when you start out doing it. The purpose of a teacher is to be an external reference, guiding the student towards correctness so they know what it *feels like*.
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In YCSE, Holmes defines lying as intentionally saying things that are untrue. This is a common definition, but I think our fear of "being lied to" works on something different entirely. Our fear isn't believing an untrue thing, it's *getting more invested than someone else*
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The truly scary thing about Holmes is that she never gives us that "gotcha" moment. Which means we're forced to grapple with whether she was pretending to pretend at all. That's exactly the uncomfortable space that Fielder has made a career out of. Game recognizes game.
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Good fiction is playing pretend, fully invested. Liars and con artists are *pretending to pretend*. We *want* to believe in fiction. What we are afraid of is looking silly when someone says, "Gotcha!"
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And that's what makes Elizabeth Holmes such a fascinating subject for Fielder. Any good leader or CEO does the exact same thing as a good author: they pay the upfront cost, they jump into the deep end first so you feel comfortable joining in. Holmes stayed committed to the bit like no one else, never selling her shares, far past the point where it made sense for her to get any personal benefit out of it.
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But she's the one that feels more like a fraud in the moment, because Nathan has put all of this together for her at great expense, and she's been treating it like a personal vacation. Nathan's the one being cheated out of all his effort, not her.
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There's a scene in The Rehearsal S1, where Angela, the subject who Nathan has built an entire fake house and fake son for, is shown to not be taking the premise seriously. It's all fake, so she's the one who is refusing the "lie" and is more connected to reality, right?
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Nathan Fielder does this very well in The Rehearsal: everything he does is completely fake, but the elaborate sets, the extensive actors, are his way of investing first, paying the costly signal, going so over-the-top that you can't help but feel inclined to play along.
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All of fiction is intentionally saying untrue things. But we have no problem investing in this made up reality, because *the author has committed first*. They pay the upfront cost of making everything up, so all we have to do is step in.
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In YCSE, Holmes defines lying as intentionally saying things that are untrue. This is a common definition, but I think our fear of "being lied to" works on something different entirely. Our fear isn't believing an untrue thing, it's *getting more invested than someone else*
one thing i find fascinating upon rewatching YCSE is that it's entirely plausible that Holmes doesn't explicitly *lie* about a single thing in the film. in the beach patio scene, when Nathan grills her on whether she's ever lied, she defines lying as "intentionally saying something that is untrue." paired with the linguistic sleight of hand she stands by wrt the "this device CAN...", her (ostensible) confusion around the "Who's on first" bit, and her (alleged) ignorance of the Billy/A24 deal... it's not out of the realm of possibility to say that she's carefully constructed her reality (and/or memory; assuming she has lingering trauma) to only include True information that supports her narrative/case the rest is up to Billy and whoever the fuck else wants to pick up the pieces, and you can see her lean on Billy to (messily) defend her, continually keeping her hands clean. she slips through the interrogations like sand
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Replying to @yoshua_turner00
best thing since sliced bread
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Replying to @array_hog @caryatis
Nathan is on my side too xitter.cf/brothrai/status/210276…
nathan fielder is always in someone else's bed and I think that's beautiful
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Replying to @caryatis
I 100% support this
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Replying to @QiaochuYuan
well I guess that answers that question xitter.cf/array_hog/status/21148…
Replying to @tracewoodgrains
what does taiwan have to do with this lol
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Replying to @ThinkingBone
The knowledge of how to do a thing is contained in doing the thing itself, not the words that describe doing the thing. We can describe how to catch a ball using complex physics equations, but that's not how people actually learn to do it
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How are you taking action towards completeness today, anon?
A side effect of perpetual incompleteness and emptyness is action that increases completeness is favored and more durable while action that decreases it is brittle.
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Replying to @funplings
I use it as a source of inspiration? And also sometimes cause Supermassive Black Hole hits :) xitter.cf/array_hog/status/21039…
Replying to @DoroisDoro
I have now seen three completely different uses of the word muse on my timeline and I love it xitter.cf/majamediaco/status/210…
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Harry retweeted
I love this answer noa! "Dead" has a negative connotation but in this context it's suggesting the opposite of "what's pulling your attention". Dead can mean *settled* - dead calm, dead center, dead certain. In other words: "no tension left"
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