Fashion cynic. Check out my insufferable website.

Joined March 2026
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Knot work built into both the clothing and accessories.
Christopher Bailey was not the most gifted showman. He often reached for tired/tacky signals of glamor. But his Burberry S/S 2010 is still a guilty pleasure. The knotted and twisted pastels offered a youthful touch.
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Replying to @Stender__
That's for hiding others' checks. But can you hide your own check?
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J.T. retweeted
Randomly found this on Amazon, just casually priced at $75,000. Free shipping though.
Chanel Hula Hoop bag by Karl Lagerfeld.
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I bet you Miuccia makes him punch in every morning.
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Replying to @ziniyacouture
Literally no one knows. Left very abruptly.
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🤤🤤
AUTUMN | WINTER 2026 TOM FORD by Haider Ackermann #TOMFORD #TFAW26
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hate that Twitter removed the option to hide the blue check.
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Randomly found this on Amazon, just casually priced at $75,000. Free shipping though.
Chanel Hula Hoop bag by Karl Lagerfeld.
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AF Vandevorst made actual brown PAPER look this beautiful. S/S 2004. Something so mundane turned into graceful, vulnerable clothes. When I tell you there’s no such thing as a bad AF Vandevorst collection, I mean it.
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And it's all packaged as "reinterpretations" and "homages" when it's just lazy self-indulgent pastiche.
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talks to potentially renew Alessandro Michele's contract at Valentino have apparently begun (current one expires in March 2027)
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Replying to @NotBarbarella
It's never been the same ever since.
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A fully realized world - right down to the details.
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Hermès really lost an asset when Jean Paul Gaultier left. He didn't just dress the Hermès woman - he imagined her entire world: travel, sport, adventure, seduction, leisure. All with his signature kitsch and wit. Hermès S/S 2010
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Replying to @powerbottoming
The world is awful. We were all made to be loved💙
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Replying to @victoriagamlen
It also does a disservice to women whose work is genuinely exceptional. Taking women's work seriously is a great way of recognizing their creative agency.
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J.T. retweeted
I WILL fight you over Versace F/W 2005. 2000s glamor in its purest form. Polished, aggressive, conceited.
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Female underrepresentation in fashion matters. But it doesn't shield female designers from criticism. Critics aren't obligated to address the industry's gender inequality before they're allowed to judge creative work. Making that a prerequisite is moral gatekeeping.
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